“The eloquent and uncompromising calls for social righteousness by some of the Minor Prophets are familiar to many, yet the writings themselves are probably the least studied and least known texts of the Old Testament. Those who are familiar with these books are also aware of the historical and literary problems that plague their study. Drawing on insights from various perspectives — theological, historical, and literary — this commentary on Joel, Obadiah, Jonah, and Micah by Leslie Allen carefully and imaginatively reconstructs the stage on which the message of these four books was conveyed to their Hebrew hearers and shows what relevance, in turn, they hold for contemporary Christians. For each of the books there is a substantial introduction in which the full range of scholarly opinion is presented and assessed, a select bibliography, the author’s own translation of the text — a significant contribution to biblical studies in itself — and an extensive commentary. The commentary on Micah is the basic one of these four in that it treats at greater length some of the same forms and motifs that appear in Joel, Obadiah, and Jonah. The introductory material for Joel includes discussions of canonicity and textual criticism that apply to the entire volume.” – Eerdmans
New International Commentary on the Old Testament: Song of Songs by Tremper Longman III
“Relationships are a wonderful, mysterious, often elusive, sometimes painful part of the human experience. The most intimate of all human relationships, according to the Bible, is that between a husband and a wife. It is no surprise, therefore, that there is a book of the Bible, the Song of Songs, that focuses on this relationship. What is surprising is how little attention is given to the Song of Songs by scholars, by the church, and by readers of the Bible. With this volume Tremper Longman III unpacks for modern people what this ancient love poem says about the male-female relationship — and, by analogy, about God’s love for his people. Longman’s superb study begins with a thorough introduction to the Song of Songs and its background. Longman discusses the book’s title, authorship, date, literary style, language, structure, cultural milieu, and theological content. He also canvasses the long history of interpretation of the Song of Songs, a history too often characterized by repression of the text. In the commentary itself, Longman structures the Song of Songs according to its twenty-three poetic units and explains its message verse by verse. The exposition is made clearer by Longman’s adoption of an anthropological approach to the text and by his frequent comparisons of the Song of Songs with other ancient Near Eastern literature. Learned yet highly accessible, innovative yet fully informed by past scholarship, this commentary shows the beautiful Song of Songs to be a timeless celebration of human love and sexuality.” – Eerdmans