“The Song of Songs has been compared to a lock for which the key was lost. Traditionally ascribed to King Solomon, the book has a sensuous imagery that has been the subject of various allegorical interpretations, chiefly as relating to Yahweh’s love for Israel or Christ’s love for the Church. Marvin H. Pope suggests that the poem is what it seems, an unabashed celebration of sexual love, both human and divine, rooted in the fertility religions of the ancient Near East, the sacred marriage rite, and the funeral feast. A distinctive feature of his interpretation is the correlation between Love and Death. Also discussed are parallel literatures, possible Indian influences, and the significance of the Song for women’s liberation. Samples of traditional Jewish and Christian allegorical interpretations are cited for each verse. Numerous photographs and drawings of ancient Near East origin illustrate and authenticate this provocative and controversial interpretation of Solomon’s sublime song.” – Yale University Press

“Richard Hess has written an insightful commentary on one of the most intriguing books of the Bible, which celebrates God’s gift of love. Following an introduction to the biblical book and a history of its interpretation, Hess divides his discussion into seven major sections. Each section begins with a fresh translation, followed by paragraph-by-paragraph commentary, and concluding with a summary of the passage’s theological implications. Technical questions related to the Hebrew text or scholarly debate are addressed in the footnotes. Pastors and teachers will find here an accessible commentary that will serve as an excellent resource for their study.” – Baker Academic

“Among all of the books of the First Testament, the Song of Songs is one of the most intriguing. On the one hand, its unabashed sensuality has captured the imagination and has endeared it to those who appreciate passionate human love. On the other hand, more demure readers have frequently been chagrined by their own fascination with its erotic character and have cloaked their interest under the guise of metaphorical reading. Both interpretations of the Song of Songs have been endorsed. Down through the ages, both Jewish and Christian interpreters have delighted in the exquisite imagery of the book’s songs, but they have also frequently reverted to allegory in their interpretations. This commentary views the Song as a collection of love poems and carefully examines features of Hebrew poetry in order to uncover the delicacy of their expression. It is unique not only in the attention that it gives to the obvious feminine perspective of the poems but in their ecosensitive character. Although it is a tribute to mutual love, the principal frame of reference is the amorous disposition of the woman. Her words open and close the Song and her voice is dominant throughout. The imagery that the lovers use is drawn from nature. Whether it is the woman in awe of the strength and splendor of her lover or the man glorifying her physical charms, the descriptions all call on elements from the natural world to characterize the feature being described. Whatever they experience or know or even desire is somehow rooted in the natural world.” – Liturgical Press

“Relationships are a wonderful, mysterious, often elusive, sometimes painful part of the human experience. The most intimate of all human relationships, according to the Bible, is that between a husband and a wife. It is no surprise, therefore, that there is a book of the Bible, the Song of Songs, that focuses on this relationship. What is surprising is how little attention is given to the Song of Songs by scholars, by the church, and by readers of the Bible. With this volume Tremper Longman III unpacks for modern people what this ancient love poem says about the male-female relationship — and, by analogy, about God’s love for his people. Longman’s superb study begins with a thorough introduction to the Song of Songs and its background. Longman discusses the book’s title, authorship, date, literary style, language, structure, cultural milieu, and theological content. He also canvasses the long history of interpretation of the Song of Songs, a history too often characterized by repression of the text. In the commentary itself, Longman structures the Song of Songs according to its twenty-three poetic units and explains its message verse by verse. The exposition is made clearer by Longman’s adoption of an anthropological approach to the text and by his frequent comparisons of the Song of Songs with other ancient Near Eastern literature. Learned yet highly accessible, innovative yet fully informed by past scholarship, this commentary shows the beautiful Song of Songs to be a timeless celebration of human love and sexuality.” – Eerdmans